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����AV students taking Art History 495/595 Curating an Exhibition worked together to take an exhibit of South African art from conception to completion this spring.

The class of undergraduate, graduate students, and professional artists were split into four groups: research, installation, design, and marketing/outreach, and worked with a faculty member from Mason Exhibitions to co-curate Faces and Figures: Identity through Printmaking in South Africa, which ran from March 24 to April 19 in Gillespie Gallery of the Art and Design Building on George Mason’s Fairfax Campus.����

The artwork in the exhibit was from student and professional artists associated with in South Africa. The course was taught by LaNitra Berger, an associate professor of history and art history and director of African and African American Studies Program. ��

“It's such an honor that we get to work with real artists from South Africa,” said graduate student and chief curator of the exhibition Irena Jansen, who is from Croatia. “I was really struck by the connection that it makes across countries. It spoke of my time growing up in the communist country, but here it speaks in their context.”

Senior art history major Esther Perez-Rosales was in charge of the installation group. ��

“I printed small versions of the artwork and made an initial draft of what the curatorial flow would be like, which was really fun to do,” said Perez-Rosales. “It was really good to kickstart the process because it taught me a lot about curatorial work and how different aspects of it can make or break the vision.”��

The themes of migration, family and community, and gender roles were emphasized using theme texts mounted alongside the artwork.��

“We felt that identity was the overarching theme as the artists try to figure out who they are personally,” said Jansen.����

George Mason graduate student Nicola Macdonald, who is from Durban, South Africa, was part of the research team. ��

“Being a part of the culture and from contemporary South Africa, I knew I could bring that to the table, so when we divided into groups, I [wanted] to be in the research group to bring this historical background to aid in putting the exhibition together,” said Macdonald, who worked with family members throughout the creative process to ensure authenticity to the South African culture.��

“We got to choose most of the works that were shipped to us,” said Jansen. “Some of the works that arrived were a little bit of a surprise, but that was a great challenge for us because that's what happens in real world sometimes.”��

The students hope to do more work with Artist Proof Studio in the future and potentially reinstall the exhibition at Mason Exhibitions Arlington, said Jansen.����

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